How The Outfits Played A Role In 'People We Meet on Vacation' Client: Colin Wilkes, Costume Designer

How 'I Love LA' Nails Gen Z Style—One Vintage Corset, Saddle Bag, and Tabi at a Time Client: Christina Flannery, Costume Designer

The 10th Century Estate in ‘Hedda'; is Glamorous — and Menacing Client: Cara Brower, Production Designer

‘It was all about restraint’: The ‘pure gold’ VFX secrets of ‘Frankenstein’ revealed Client: MR. X, Visual Effects

‘Every Day, I Had to Reinvent How to Keep This Thing on’ — The Hair Design of ‘The Smashing Machine’ Client: Mia Neal, Makeup Department Head

How the ‘Train Dreams’ Production Designer Built a Cabin That Became an Anchor for Memories Client: Alexandra Schaller, Production Designer

Kira Kelly ASC / 'Him' Client: Kira Kelly, Cinematographer

How 'Nine Perfect Strangers' Created Zauberwald, an Exclusive (and Sinister) Alpine Wellness Retreat Client: Udo Kramer, Production Designer

How (Only) ‘Smoke’ Can Recreate a Forest Fire Client: Francois Dagenais, Cinematographer